Some stories never lose their charm, and Pretty Woman is undoubtedly one of them. Since the beloved 1990 film first captured audiences’ hearts, the romance between Vivian Ward and Edward Lewis has become one of Hollywood’s most enduring love stories. More than 35 years later, that iconic fairy tale has found new life on stage in Pretty Woman: The Musical, delivering all the romance, glamour and memorable moments fans know and love, while adding the excitement of live theatre.

Adapted from Garry Marshall’s much-loved film, the musical features a book by Marshall and original screenwriter J.F. Lawton, with an energetic score by Grammy Award-winning songwriter Bryan Adams and longtime collaborator Jim Vallance. Rather than simply recreating the film scene for scene, the production embraces its theatrical setting, offering fresh musical numbers, vibrant choreography and larger-than-life performances while remaining faithful to the spirit of the original story.

Following its successful world premiere in Chicago in 2018 and a celebrated Broadway season, the production has toured internationally, including London’s West End. After making its Australian debut in Brisbane last year and entertaining audiences in Sydney, Perth and Adelaide, the musical has finally arrived in Melbourne, bringing with it dazzling sets, spectacular costumes and plenty of feel-good entertainment.

Directed and choreographed by Tony Award winner Jerry Mitchell, with the Australian production restaged by Rusty Mowery, the show moves at an energetic pace from beginning to end. Mitchell understands exactly what audiences have come to experience, balancing romance, comedy and theatrical spectacle while never taking itself too seriously. Although some aspects of the story naturally reflect the era in which it was originally written, the production leans wholeheartedly into its modern fairy-tale identity, celebrating hope, transformation and finding love in unexpected places.

At the heart of the production is Samantha Jade, who proves to be a captivating leading lady as Vivian Ward. She brings warmth, confidence and natural charisma to the role, effortlessly balancing Vivian’s humour, vulnerability and determination. Jade’s impressive vocal ability is perfectly suited to Bryan Adams’ rock-inspired score, delivering each number with power and emotion while making the character feel fresh for a new generation.

Opposite her, Ben Hall delivers an understated yet engaging performance as businessman Edward Lewis. His portrayal captures Edward’s emotional restraint while gradually revealing the softer, more vulnerable side beneath his polished exterior. Hall and Jade share genuine chemistry, making the relationship between Vivian and Edward believable and giving the production its emotional centre.

Michelle Brasier provides many of the evening’s biggest laughs as Vivian’s outspoken best friend, Kit De Luca. Full of personality and impeccable comic timing, Brasier lights up every scene she appears in while also bringing genuine heart to the character.

Tim Omaji is another standout, seamlessly switching between the upbeat Happy Man and the sophisticated hotel manager Mr Thompson. His versatility, charisma and infectious stage presence make him one of the production’s true scene stealers. Douglas Hansell rounds out the principal cast with a convincing performance as Philip Stuckey, portraying the ambitious businessman with just the right amount of arrogance and intensity.

Visually, the production is every bit as glamorous as audiences would hope. David Rockwell’s scenic design effortlessly transports viewers from the colourful streets of Hollywood Boulevard to the luxury of Edward’s penthouse and the elegance of the Beverly Wilshire Hotel. Smooth scene transitions keep the story moving while maintaining the cinematic feel that fans of the film will recognise.

The costume design by Tom Rogers perfectly captures the glamour and style synonymous with Pretty Woman. From Vivian’s iconic fashion transformation to the polished corporate attire and elegant evening wear, every costume adds another layer of sparkle to the production. Kenneth Posner and Philip S. Rosenberg’s lighting design enhances each setting beautifully, creating a polished, almost cinematic atmosphere that elevates the storytelling.

While Bryan Adams and Jim Vallance’s original songs may not have achieved the same legendary status as the film itself, they work extremely well within the context of the stage production. The score complements the emotional journey of the characters while allowing the talented cast to showcase their impressive vocal abilities. Backed by a vibrant live orchestra, the music adds energy and momentum throughout the evening.

Of course, no production of Pretty Woman would be complete without its most iconic moments, and fans will not be disappointed. The unforgettable shopping montage, Vivian’s stunning red opera gown, the emotional opera sequence and the famous fire escape finale are all recreated with plenty of theatrical flair. As a final treat, Roy Orbison’s timeless classic “Oh, Pretty Woman” brings the audience to its feet, providing the perfect celebratory ending to a thoroughly entertaining night.

More than simply recreating a beloved film, Pretty Woman: The Musical captures the joy, optimism and romance that have made the story endure for decades. It is colourful, funny, heartfelt and unapologetically feel-good, offering audiences a welcome escape filled with laughter, memorable performances and plenty of theatrical magic.

Samantha Jade proves she was born to play Vivian, supported by a talented cast, slick direction and impressive production values. Whether you’re revisiting a favourite film or experiencing the story for the first time, Pretty Woman: The Musicaldelivers exactly what audiences are hoping for—a glamorous, uplifting and thoroughly enjoyable evening at the theatre.

X Steph

★★★★☆ (4.5/5)

Pretty Woman: The Musical
Venue: Regent Theatre, Collins Street, Melbourne
Season: Until 13 September 2026

For more information, visit: www.prettywomanthemusical.com.au for details.

Photos by Daniel Boud