Hosanna, hey-sanna, hosanna

Andrew Lloyd Webber & Tim Rice’s cult rock/opera musical tells the story of the weeks leading up to Jesus’ crucifixion through the eyes of Judas. 

Being a ‘sung through’ musical with no dialogue, the story should still be the focus but there are many distractions that I personally felt made it hard to know what was going on. For one, the  choreography/dancing although outstanding, was a bit busy and over choreographed. For me this took away from the story itself at times. I also chatted to some other theatre goers around me who found the audio levels were set a little too loud and the vocals from the cast were peaking too high. This resulted in the lyrics being hard to understand and hear clearly at times. 

However having said that, all was not lost though as the sheer talent & emotion from the stella cast and ensemble was second to none. It’s this aspect of the production that you can’t fault and I often found my mouth open with disbelief in many moments throughout the show. 

A few standouts for me where…

Michael Paynter (Jesus) who absolutely stole the show. His rendition of Gethsemane was something to behold. It was powerful but had subtle elements that really showed the pain of the character. And his control in his upper register was mind blowing. He received a lengthy standing ovation at the end of the number (and a brief one during the number as well) and this was richly deserved. His performance of this song alone was well worth going to see the show. 

Judas played by Javon King, what can I say apart from “wow”, what an incredible Judas – with all the complex feelings of love and hate and jealousy and feeling torn between right and wrong. He was quite simply outstanding. 

I also need to mention, Graeme Isaako who plays Simon in the ensemble. There’s a moment in the piece where the character of Simon needs to deliver an incredible high note, and not only does Isaako nail  it, but he holds it for such an unbelievably long time with a fantastic strength of delivery! Pinch me, what a voice. I think Graeme (if he’s not an understudy already) could step onto the stage in a version where he plays Judas or even Jesus. 

Mahalia Barnes executed a beautiful and heartfelt version of Mary, and her take of ‘I Don’t Know How To Love Him’ was sublime. I really enjoyed it. 

Special mention to the High Priests, Annas (John O’Hara) and Caiaphas (Elliot Baker) who have voice registers deep as the ocean and their presence is chilling. The moment when they up-end their ceremonial staffs to become microphones is yet another play on power as is their demanding stage presence.  

Sadly, the show ends with the crucifixion, and with no sign of the Resurrection to come. In an odd and confusing ending the crucified and bloodied Jesus sits down with Judas at the end.

While I may be unpopular in some of my views and while it wasn’t my cup of tea, the talent as I said is out this world. But when you do choose to go along, even though it might not be your cup of tea (like me), I don’t think you’ll be disappointed.

Jesus Christ Superstar is now playing at Melbourne’s Princess Theatre until June. For tickets or more information visit https://jesuschristsuperstarmusical.com.au

X Steph 

Photos by Jeff Busby

“Simply the Best” If you’re like me and in the younger audience category and know some of Tina Turner’s songs but not necessarily her story, then this rollercoaster of a bio jukebox musical will have you feeling all the feels.

Racism, family violence, addiction, financial ruin and attempted suicide! While this show has many scenes that are raw and uncomfortable. Now knowing what this extraordinary woman went through to get to where she did… her rise to fame, finding her independence, taking a chance on herself as a solo artist, I can’t help but look back in awe at what a power house she was (not just her voice), she’s living proof that in life there are the low/challenging times in order to get to the high’s. It is however, ultimately up to you though if you let that make you or break you. And in Tina’s case it made her.

The many well known songs are amazing and probably for many the reason for coming. Let me just say you won’t be disappointed. Led by Christina Polimos this huge score is in safe hands. The musicians were fantastic bringing Tina’s hits to life. I won’t spoil anything but get ready to have a bit of a boogie. The music was faultless and carried the original sound of the songs while also balancing the modern era of the show.

The genius combination of Mark Thompson’s costumes and Campbell Young’s (Associates) wigs are an attraction in their own right, capturing the importance of each time period with theatrical style.

The Australian ensemble is really strong and often come forward to play brief characters in Tina’s journey before returning to dance up a storm in the all so flashy choreography by Anthony Van Laast.

Ruva Ngwenya was an absolute standout as Tina Turner. Vocally, she sounded so much like her in an authentic way. Honest, rich and powerful vocals that left the audience in wonderment. Her acting was also ‘on point’ performing some of the most heart wrenching scenes with sincerity and raw emotion. A flawless and powerful performance I could watch over and over again.

In what could be described as a difficult role, American actor Giovanni Adams brings authentic integrity to Ike Turner, gamely and believably leaning into the man’s worst traits.

Jayme-Lee Hanekom as Alline the devoted sister of Tina was a delight. She played multiple roles, her character differentiation and facial expressions made her one to watch. A beautiful performer.

Rishab Kern is perfect as Tina’s first love Raymond, very smoothly nailing the song ‘Let’s Stay Together’ as well as some impressively energetic moves later on. It’s evident he’s come leaps and bounds as an actor.

Special shoutout to Zoe Desmier who on opening night, won audiences with her big smile, big stage presence and soaring vocals as young Anna-Mae (young Tina)

If I’m being incredibly picky the only thing I would say is that some of the fight scenes were a little too staged. The script is very straightforward, giving the cast few opportunities to demonstrate their dramatic skills. And the timeline/story seemed really fast paced and at times it felt to me a little all over the place (like it had skipped bits). Undoubtedly necessary to cover the extent of Tina’s life.

All in all though this is a not to be missed night out. It’s immensely satisfying both musically and emotionally and you leave feeling blessed to have seen a wonderful piece of theatre with a hard pumping rock concert at the same time. Superb cast, incredible band and a whole lotta fun.

Tina, The Tina Turner Musical is now playing at Melbournes Princess Theatre. To get tickets or for more in formation visit tinamusical.com.au

x Steph

Photos by Daniel Bound

What a treat! It was Broadway’s best and Disney magic at its finest in Melbourne for opening night of this tale as old as time. Simply put Disney in any shape or form has always held a special place in my heart, as it does many.

Originally a French fairytale it has also been a book, an animated Disney movie (the finest old school hand drawn movie Disney ever made if I might add) and a Broadway musical that’s toured the world, I’m sure we are all familiar with the heart warming story that resonates with audiences of all ages.

This latest production revival is directed and choreographed by Matt West and also keeps the songs of legends Alan Mencken, Howard Ashman and Tim Rice, begins in such a sophisticated way, with narration by the late Angela Lansbury. Beauty and the Beast is a mesmerising visual spectacle, you’re truly sure to find yourself fully immersed in the enchanting world of happily ever afters. But before you see anything it’s what you hear that captivates your attention. The orchestration by Danny Troob and sound design by John Shivers completely shifts the atmosphere in each scene.

Stage technology has come leaps and bounds and this production dazzles with its combination of mechanical stage sets and computer animated projections, the line between the two often subtle, but enough to leave you in awe of the dazzling illusions.

The two main production numbers ‘Gaston’ (Did you know Gaston, Le Fou and the Ensemble clink their mugs over 821 times) ‘Be Our Guest’ see the success of the production peak and the opening night audience spellbound, jumping to a standing ovation at the conclusion of ‘Be Our Guest’ despite being mid act. Matt West (choreographer) alongside Natasha Katz, Jim Steinmeyer and Darrel Maloney (costumes, lighting and incredible effects) all deserve a trophy for their roles in making this number (and the show in general) a real wow moment.

Shubshri Kandiah as Belle carried the show and the tunes gracefully and touchingly. Showing why she is Australia’s perfect princess and Belle. Brendan Xavier as the Prince turned into a Beast is not quite as fierce and menacing as the character is made out to be in the movie/film. His voice is pleasant, his appearance is rugged but he is more rude than aggressive. Rohan Browne as Lumiere was my personal favourite of the night with his charm and charisma that glows on stage. He is a real smooth operator and impeccable dancer. Oh and did I mention his flames are real. I may not be looked upon favourably but I have to give my honest opinion Gaston (played on opening night by Rubin Matters) I thought was lacking. What I saw I thought was a more watered down version of Gaston. Jayde Westaby Mrs Potts is warm, motherly and a joy when she’s on stage. I adored her take on the number ‘Beauty And The Beast’ Gareth Jacobs delghts as Cogsworth, gaining laughs in his characterful role. Zanda Wilkinson brought cheer to teacup Chip, fully animating the lad with just his face on display.

Beauty And The Beast The Musical is an unforgettable experience for many and will delight audiences of all ages.

So what are you waiting for? Go on and Be There Guest Melbourne. Tickets are on sale for performances up until November 2024 with new performances on sale Thursday 4th July 2024 via http://www.beautyandthebeastmusical.com.au

x Steph

A Story of Love, Friendship and Acceptance. Since opening on Broadway in 2003 it’s easy to see why this beloved prequel to The Wizard of Oz, telling the Origin story of the Wicked Witch of the West and Glinda the Good is the fifth longest running Broadway show in history. 

This new Australian production is the third time in 15 years Wicked has toured this country. And now that I’ve seen it, I am totally kicking myself I hadn’t seen it until just recently. 

In terms of senses, Wicked is a feast for the eyes and ears… Walking into the Theatre you leave the real world behind and truly enter another filled with witches, wizards and flying monkeys. The sets (Eugene Lee) and costumes (Susan Hilferty) are exquisite and mesh together to create the perfect amount of theatrical glitz. 

This Australian cast shine so brightly… Making her lead role deput Sheridan Adams as Elphaba brings the house down with her commanding stage presence and soaring powerful vocals. A massive highlight for me had to be Sheridans number Defying Gravity. A pivotal moment in the musical where Elphaba embraces her true power and identity and soars above the stage in what is a breathtaking display. Courtney Monsma is as equally impressive as Glinda. Courtney is infectiously giddy, hilarious, touching, delightful and in complete control the whole time. Her number Popular is a great example of this. I was completely moved at times when Sheridan and Courtney came together for duets such as Dancing Through Life and For Good. Talk about pull on your heart strings!!! Simon Burke steps into the shoes of The Wizard and does a stupendous job of capturing the corruption and sneakiness of his character. Adam Murphy’s Doctor Dillamond even in full goat costume is able to portray deep sadness and hurt. 

Wicked is defiantly a 10 out of 10 must see production that will stay with you long after the final curtain call. 

Wicked is playing at at the Regent Theatre in Melbourne until June. For more information and Tickets visit wickedthemusical.com.au 

x Steph 

Photos by Jeff Busby

Filled to the brim with gleaming cleverness, heart and humour, Candide is a mash up and or a crossover if you will of Opera and Musical Theatre. Drawing inspiration from European Operetta to Latin American dance rhythms.

With music by Leonard Bernstein and book by Hugh Wheeler. Candide tells the story of a young gentle man named Candide who, though pummeled and slapped in every direction by fate, clings desperately to the belief that he lives in “the best of all possible worlds.” Only to be taken on an adventure around the world to discover that contrary to the teachings of his distinguished tutor Dr Pangloss – all is not always for the best.

Victorian Opera’s production of Candide allowed Melbourne Audiences to be transported to “The Best of All Possible Worlds” in what was a thrilling new production, directed by Dean Bryant. Set and Costume designer Dann Barber and Lighting Designer Matt Scott transformed St Kilda’s grand Palais Theatre with an eccentric, decomposed elegant set and beautiful lighting. The symphonic magic of this delightful score was conjured by Maestro Benjamin Northey with Orchestra Victoria. On side note it was amazing to have the big, full orchestra up on stage and in view along with the powerful chorus and not in an orchestra pit down below the stage.

The mix of performers from operatic and music theatre backgrounds, all on stage were commendable to say the least ( I know I’m always blown away at the talent we have in Australia/Melbourne) Leading this production as Dr Pangloss and narrator Voltaire, Eddie Perfect delivers a unforgettable performance with his confident stage presence, comic flair, strong baritone voice and acting talent taking centre stage. In the title role Lyndon Watts captivated audiences with his warm, rich tenor voice and compelling range. Soprano Katherine Allen strutted and thrilled delightfully as Cunegonde. Euan Fistrovic Doidge played it up big time as Maximilian and was a personal highlight for me… I mean he was just having too much fun up there. Honourable mentions to Troy Sussman and Alexander Lewis who skipped through the multiple roles they needed to become, with great comic effect and obvious glee.

Candide combines a rollercoaster story with a passionate score into a piece that asks what it means to live a valuable life.

All in all though a short and sweet run I was delighted to have reviewed this.

x Steph

Photos by Charlie Kinross

It’s automatic, It’s systematic, It’s hydromatic Why It’s greased lightnin.

Dazzling generations of fans with the high school romance of Danny Zuko and Sandy Dumbrowski. The story of Grease is one that has truly stood the test of time. And now this feel good, show stopper musical has hit Melbourne shores.

This new adaption produced by John Frost celebrates everything there is to love about Grease, from the 1950s flair to the exhilarating soundtrack we all know and love. This timeless musical will be sure to have you hand jiving down the isles.

The extensive set design by James Brownie is made up of two big grandstands and some high-reaching wall panels, a simple yet effective set up but one that is utilised to represent multiple locations. With that though, one thing I have to mention that didn’t work so well is that many of the scene changes are done by stage crew in full view of the audience and several of the set pieces take a long time to fall into place. This leads to the audience (myself included) being distracted at the start and or end of scenes and musical numbers.

Costume/ wig designs also by James Brownie are more successful – the costumes are eye popping, brightly coloured and very era believable and the wigs look amazing.

The chewing gum holding this all together though is the fabulous band led by Dave Skelton that drive the music along and it’s impossible not to tap your feet or dance in your seat. The songs truly define the musical.

The cast put together for this production are electrifying to say the least… All full of energy, In fine voice and actually look like teenagers and their respective parts. Some highlights for me were Annelise Hall perfectly captures the innocence of new girl Sandy. And her take on the beloved song “Hopelessly Devoted to You” is magical. Keanu Gonzalez as Kenickie is constantly magnetic and in fine voice. You can clearly tell he loves every minute of his devilish role particularly in the number “Greased Lightnin” Fast rising star Brianna Bishop shines again as flirty Marty, nailing every laugh and leaving a lasting impression with the number “Freddy, My Love” Mackenzie Dunn’s Rizzo is as equally impressive and brings the house down in “There are Worse Things I Could Do” The casting of music legend Marcia Hines as Teen Angel plays off brilliantly in “Beauty School Dropout”

If you’re looking for something to liven up your summer nights then Grease the musical sure won’t disappoint.

Grease the musical now plays at Her Majesty’s Theatre Melbourne until march 10th 2024 For Tickets or more information head to greasemusical.com.au

x Steph

Photos by Jeff Busby

THE LEGEND, THE ICON, THE KING! 

Many know the story of this outstanding talented artist that left the world too soon. ‘Elvis a Musical Revolution’ celebrates the life and story of the King of rock n roll Elvis Presley. Featuring over 40 beloved hit songs, through flashbacks of pivotal moments in his life and career starting from a young Elvis and his childhood in Mississippi all the way to his comeback special in 1968. 

Director Allister Smith succeeded in capturing the personal and emotional aspects of Elvis’ life, giving the audience a glimpse into the man behind the music. This added depth ensured ‘Elvis A Musical Revolution’ wasn’t just a tribute to an iconic artist but also a celebration of his humanity. 

The music is by far delivered as one of the most important factors for obvious reasons with this production. It is next level and a wonderful credit to an abundance of talent with an incredible team made up of Musical Director Daniel Puckey, Associate Music Director Adrian Szondy and Sound Designer Greg Ginger. The high energy and amazing Choreography by Michael Ralph seamlessly blended with the music, showcasing Elvis’ signature moves and ensuring that every member of the ensemble was engaged in the performance. 

The heart and soul of this production undoubtedly lies with the exceptionally talented and adaptable cast, who deliver flawless performances, transitioning between diverse roles within the production. Their swift changes of costumes and wigs enhance their adaptability. They synergize effectively as an ensemble, delivering breathtaking dance numbers. I also adored Matt Hayward, Ben Hall and Joti Gore in their respective roles. 

But stand outs for me would absolutely have to be Rob Mellett as Elvis. He could very well have put on a show paying tribute just singing and dancing and the audience would have been equally thrilled. Rob’s skill at impersonating the idolised figure is nothing short of astonishing. But it’s his ability to captivate and connect with the audience along with his incredible vocal range and confidant physicality that makes the show an electrifying experience. Kirby Burgess as Ann Margret and Marion is another standout showcasing her exceptional versatility and talent throughout the production. Juggling multiple roles (including assistant choreographer), Kirby proves to be an unstoppable force on stage. Her incredible dance sequences were a sight to behold. What set her apart for me though was her effortless changes between characters, flawlessly embodying the differences in each one. 

Final Thoughts? 

Elvis Presley paid an extremely high price for fame. His story is eventually tragic, but on this occasion we are thankfully spared having to go through those heartbreaking final days. What he left behind is endlessly inspiring and glorious. In ‘Elvis A Musical Revolution’, we are able to rekindle that magic. The standing ovation at the end is a testament to the show’s success in honouring the King, his enduring legacy and impactful story. 

Elvis A Musical Revolution is currently playing at Melbourne’s Athenaeum Theatre until late December. For information, dates and ticketing visit www.elvisamusicalrevolution.com.au 

x Steph

Here we go again… Created by Benny Andersson and Bjorn Ulvaeus of Abba, and written by British playwright Catherine Johnson, Mamma Mia has taken the Abba legacy into the future by reinventing the magic of the music hits into a stage musical that first opened in 1999.

With Elise McCann as Donna Sheridan, Sarah Krndija as Sophie and Deone Zanotto as the hilarious Tanya, this production is a party you won’t want to miss. Despite the fact that many audiences members were born well after Abba’s high point, the pop anthems interwoven with a sweet story of love and family still generates smiles, whoops and applause after every performance.

But for those who have seen the 2008 film but not the original stage version, you are in for a surprise. The simple set transports audiences to the Greek islands quite effectively. Colourful costuming and energetic choreography (board shorts and cut off jeans all the way) The ‘flipper’ sequence is a personal favourite among dance numbers.

Standout Performers are Deone Zanotto and Bianca Bruce as Donnas best friends and Sophie’s Aunts – They essentially steal most of the scenes they appear in. Sarah Krndija as Sophie is wonderfully engaging and a stunning vocalist.

Final Thoughts?

In true opening night fashion there was a delayed 10 minute start and to be completely honest I found the first half a bit slow going and not as engaging and popping as the second half. In the end though, Mamma Mia is a throughly enjoyable, amusing and at times emotional musical that really brings this story to life with the wonderful music of Abba. The encore/dance party with the whole cast at the end was spectacular and a great way to end the show, with everyone engaging, singing along and having a good time. It’s defiantly a one that can be seen and enjoyed by the whole family and if you’re an Abba fan, it’s also a must see musical with amazing performances, as we follow Sophie and co on this journey of discovery.

So what are you waiting for Melbourne? take a chance on Mamma Mia now playing at the Princess Theatre only until December.

Remember, the winner takes it all.

x Steph

“The greatest thing you’ll ever learn is just to love and be loved in return.”

Moulin Rouge The Musical has finally made it’s dazzling return to Melbourne, and everyones invited. Fans of the movie (or the Puccini Opera La Boheme, which inspired it) will be familiar with the shows story. Young naive songwriter Christian from Ohio arrives in Paris, Is caught up in the Bohemian movement and falls in love with the star of the Moulin Rouge, Satine. The love though reciprocated is difficult as Satine must court the rich Duke of Monroth so that he’ll save the Moulin Rouge from financial ruin.

It would be remiss of me to start this review without mentioning the phenomenal set designed by Derek McLane (it’s quite something to behold and reveals more and more detail the longer you look at it) From the moment you enter the theatre, the scene is set. You are now in Paris most exciting burlesque club, the Moulin Rouge, with red velvet drapes and chandeliers leaping out from the stage, a red windmill and a humongous blue elephant. It is worth taking your seat early to take this all in and not to mention the pre show entertainment as well.

The ensemble of this show is one of the most talented and hard working I’ve ever seen. The intense and dynamic choreography throughout the show was created by Sonya Tayeh, and this group work seamlessly to bring it to life. Catherine Zuber’s glittering, extravagant costumes set the scene beautifully.

The rest of the cast certainly do not disappoint and are more than worth their weight in diamonds. The Duke James Bryers gives exactly the kind of strangely alluring, soft-goth creep vibe you would want your single friends to steer well clear of. Simon Burke’s Harold Zilder was an absolute show stopper with many sassy one liners. It would appear the role was almost written for him. Bert Labonte and Ryan Gonzalez worked sensationally together as Toulouse-Lautrec and Santiago, It was a delight to watch them do what they do best. Alinta Chidzey as Satine sings like the true star she is, making a breathtaking entrance on a trapeze. That she can evoke emotional fragility from a Katy Perry song is impressive too. Des Flanagan as Christian shines with tortured grace supported by a voice that is as pristine as the Crystal studded gown Satine wears. Both main leads are stunning to watch and listen to.

For the amazing visuals and opening act alone, you’ll be can-can kicking yourself if you miss Moulin Rouge The Musical.

For tickets or more information visit moulinrougemusical.com

x Steph

There’s no greater joy than that seen through the eyes of a child, and there’s a little bit of a child in all of us.

Attending Disney On Ice really reminded me yet again, just how much I love the Disney movies (and Disney in general) and how many generations have like myself grown up loving them as well. It’s what you would call the origin of my love for musicals.

Presented by Feld Entertainment this years show is titled Disney On Ice: 100 Years of Wonder. Come on a journey through timeless stories with Mickey Mouse and pals as they go on a quest to rescue Tinker Bell from Captain Hook and restore the magic.

Some of our most favourite Disney characters take centre stage including but not limited to Belle from Beauty and the Beast, Miguel from Pixar Coco, Woody and Buzz Lightyear from Toy Story, Aladdin, Genie and Jasmine from Aladdin, Ariel from The Little Mermaid, Elsa, Anna, Kristoff and Olaf from Frozen, Moana and Maui from Moana. And of course where would the show be without none other than Mickey, Minnie, Donald and Goofy.

At its core, Disney On Ice: 100 years of Wonder is an Ice Skating production that includes dance ,story telling, acrobatics, impressive aerial skills that leave you in awe and special effects to help bring these characters and stories to life. It is further helped by their fabulous costumes, So when you see them it’s like they have been taken directly from the films.

I was most gobsmacked by the talent of the cast. I’m not an expert, but the performers made the figure skating look effortless and flawless. They were able to interact with the audience as well- waving at the kids and coming close to the side of the arena.

As great and as popular as Frozen is, my favourite portions of the show were of The Little Mermaid and Moana. I will admit I choked up a bit when Ariel and Prince Eric were flying and dancing through the air to Kiss The Girl it was such a magical moment. Moana brought it home for me with it’s story of Fire and Water, and it’s songs ‘How Far I’ll Go’ and ‘You’re Welcome’ and it’s beautiful and endearing moments between Maui and Moana’s Grandmother.

There’s a lot to love about Disney On Ice: 100 years of Wonder and something everyone can take home and enjoy.

Disney On Ice: 100 years of Wonder is now playing at Rod Laver Arena in Melbourne until the 2nd of July. For tickets or more information head to disneyonice.com.au

x Steph