Everyone’s favourite orphan, Annie, has arrived in Melbourne, and its recent opening night was a spectacular celebration of classic theatre, warm storytelling, and memorable performances. I mean, who can resist singing along to “Tomorrow”?

However, something I did notice is that sometimes performers’ lines were not audible, and/or microphones were left off for a split second. But hey, that’s show biz sometimes things go wrong, and I’m sure the kinks are worked out now.

Isabella Hayden shone in the title role, bringing Annie’s spirited personality and vulnerability to life with supreme confidence. Her vocals were pitch-perfect, and her charming style captured the hearts of the audience. Hayden shares the role with Dakota Chanel and Lilith McIntosh, and it’s clear that the triple casting has brought together talented young performers who can shine in this iconic role.

The seven orphan girls, played by Sophie Isaac (Duffy), Ava Kroussoratis (Tessie), Harper Pasco (Pepper), Marli Lee (Kate), Bibiana Bruden (Molly), Calliope Xintavelonis (July), and Leah Cooper (Friday), were a delight to watch. They sang and danced with infectious energy, earning thunderous applause for numbers like “It’s the Hard Knock Life” and “You’re Never Fully Dressed Without a Smile.”
The ensemble’s enthusiasm, talent, and vocal ability were evident throughout the show, and their performances were truly unforgettable. Each has a chance to shine in small character roles. It is clear how much thought, practice, and hard work have gone into it all.

Anthony Warlow, Australia’s national treasure and foremost leading man, reprised his role as Oliver “Daddy” Warlocks, bringing his signature warmth and gravitas to the character. His rich, mellifluous voice soared in “Something Was Missing,” showcasing his impressive stage presence and vocal range. Warlow’s performance was delicate, balancing the character’s gravitas with expertly judged comedy. While some might argue that Warbuck’s transformation from a cold, cut-throat businessman to a loving father figure feels somewhat static, Warlow’s gravitas, compassion, and paternal potential made the character’s journey compelling.

Debora Krizak stole the show as Miss Hannigan, the helpless orphanage matron. Her physicalised performance, sharp comic timing, and wonderfully sloshed demeanour made her a standout source of comedy throughout the show. Krizak’s “Easy Street” number was a highlight of the evening, with killer choreography by Mitchell Woodcock and dynamic performances from Keanu Gonzalez (Rooster) and Mackenzie Dunn (Lily St. Regis). The trio’s chemistry was electric, and their performances left the audience wanting more.

Amanda Lea Lavergne brought a gentle presence to the role of Grace Farrell, Warbuck’s faithful secretary. Her polished, poised performance was a perfect fit for the character. Greg Page, best known for his role as the original Yellow Wiggle, made a strong theatrical debut as President Franklin D. Roosevelt. His delicate inflection and tone brought depth to the character, and his subtle jab at contemporary America added an interesting layer to the performance.

It would be remiss of me not to mention the adorable canine performers, Bodhi and Sandy, who played Annie’s pound-bound best friend, who stole the show every time they appeared on stage. Being actual, real Dogs and not a puppet, their performances added a touching element to the show.

The set design by Kenneth Foy was a true masterpiece, incorporating dynamic projection designs by Craig Wilkinson. The transitions between scenes were seamless, creating a sense of effortless movement that flowed like clockwork. Foy’s use of colour and symbolism was effective, from the dull streets of New York City to the opulent mansion of Oliver Warbucks. The playful use of cultural artefacts to emphasise Warbucks’ wealth was a delightful touch, and the contrast between the priceless art and Annie’s humble portrait of herself and Warbucks was poignant.

The Orchestra, led by David Piper, delivered a lively Jazz-inflected score that perfectly complemented the show.

Overall, this production of Annie is a must-see, with a talented cast, stunning set design, and memorable performances. The show’s classic storyline, endearing moments, and fantastic songs make it a timeless classic that will delight audiences of all ages. So don’t miss out on this opportunity to see Annie, playing at the Princess Theatre here in Melbourne until October 26.

Annie is presented by John Frost for Crossroads Live. For Tickets and further information, visit anniemusical.com.au

x Steph

Photos by Daniel Boud