THE LEGEND, THE ICON, THE KING! 

Many know the story of this outstanding talented artist that left the world too soon. ‘Elvis a Musical Revolution’ celebrates the life and story of the King of rock n roll Elvis Presley. Featuring over 40 beloved hit songs, through flashbacks of pivotal moments in his life and career starting from a young Elvis and his childhood in Mississippi all the way to his comeback special in 1968. 

Director Allister Smith succeeded in capturing the personal and emotional aspects of Elvis’ life, giving the audience a glimpse into the man behind the music. This added depth ensured ‘Elvis A Musical Revolution’ wasn’t just a tribute to an iconic artist but also a celebration of his humanity. 

The music is by far delivered as one of the most important factors for obvious reasons with this production. It is next level and a wonderful credit to an abundance of talent with an incredible team made up of Musical Director Daniel Puckey, Associate Music Director Adrian Szondy and Sound Designer Greg Ginger. The high energy and amazing Choreography by Michael Ralph seamlessly blended with the music, showcasing Elvis’ signature moves and ensuring that every member of the ensemble was engaged in the performance. 

The heart and soul of this production undoubtedly lies with the exceptionally talented and adaptable cast, who deliver flawless performances, transitioning between diverse roles within the production. Their swift changes of costumes and wigs enhance their adaptability. They synergize effectively as an ensemble, delivering breathtaking dance numbers. I also adored Matt Hayward, Ben Hall and Joti Gore in their respective roles. 

But stand outs for me would absolutely have to be Rob Mellett as Elvis. He could very well have put on a show paying tribute just singing and dancing and the audience would have been equally thrilled. Rob’s skill at impersonating the idolised figure is nothing short of astonishing. But it’s his ability to captivate and connect with the audience along with his incredible vocal range and confidant physicality that makes the show an electrifying experience. Kirby Burgess as Ann Margret and Marion is another standout showcasing her exceptional versatility and talent throughout the production. Juggling multiple roles (including assistant choreographer), Kirby proves to be an unstoppable force on stage. Her incredible dance sequences were a sight to behold. What set her apart for me though was her effortless changes between characters, flawlessly embodying the differences in each one. 

Final Thoughts? 

Elvis Presley paid an extremely high price for fame. His story is eventually tragic, but on this occasion we are thankfully spared having to go through those heartbreaking final days. What he left behind is endlessly inspiring and glorious. In ‘Elvis A Musical Revolution’, we are able to rekindle that magic. The standing ovation at the end is a testament to the show’s success in honouring the King, his enduring legacy and impactful story. 

Elvis A Musical Revolution is currently playing at Melbourne’s Athenaeum Theatre until late December. For information, dates and ticketing visit www.elvisamusicalrevolution.com.au 

x Steph

Here we go again… Created by Benny Andersson and Bjorn Ulvaeus of Abba, and written by British playwright Catherine Johnson, Mamma Mia has taken the Abba legacy into the future by reinventing the magic of the music hits into a stage musical that first opened in 1999.

With Elise McCann as Donna Sheridan, Sarah Krndija as Sophie and Deone Zanotto as the hilarious Tanya, this production is a party you won’t want to miss. Despite the fact that many audiences members were born well after Abba’s high point, the pop anthems interwoven with a sweet story of love and family still generates smiles, whoops and applause after every performance.

But for those who have seen the 2008 film but not the original stage version, you are in for a surprise. The simple set transports audiences to the Greek islands quite effectively. Colourful costuming and energetic choreography (board shorts and cut off jeans all the way) The ‘flipper’ sequence is a personal favourite among dance numbers.

Standout Performers are Deone Zanotto and Bianca Bruce as Donnas best friends and Sophie’s Aunts – They essentially steal most of the scenes they appear in. Sarah Krndija as Sophie is wonderfully engaging and a stunning vocalist.

Final Thoughts?

In true opening night fashion there was a delayed 10 minute start and to be completely honest I found the first half a bit slow going and not as engaging and popping as the second half. In the end though, Mamma Mia is a throughly enjoyable, amusing and at times emotional musical that really brings this story to life with the wonderful music of Abba. The encore/dance party with the whole cast at the end was spectacular and a great way to end the show, with everyone engaging, singing along and having a good time. It’s defiantly a one that can be seen and enjoyed by the whole family and if you’re an Abba fan, it’s also a must see musical with amazing performances, as we follow Sophie and co on this journey of discovery.

So what are you waiting for Melbourne? take a chance on Mamma Mia now playing at the Princess Theatre only until December.

Remember, the winner takes it all.

x Steph